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Pots

Are your pots frost-resistant?
My pots are all made of stoneware or porcelain and are fired at temperatures ranging from 1220 to 1280 degrees Celsius (2228 to 2336F), with a final porosity percentage ranging from 0.5% to a maximum of 4%. Some of them have been outdoors in Canada or Sweden for a few years now without any problems, so I think, unless you live at the poles, they should be fine.
How many pots do you produce per year?
Very few. Since it's not my main job, but rather a personal passion, I have no need or desire to develop Japanese/Chinese factory-like production rates. So, to give you a rough estimate, I produce a maximum of 25-30 pots per year. In 8 years, I've produced about 230-250 pots in total, including the smaller and simpler ones.
Are your pots free from defects?
Perfection doesn't exist: one can only strive for it, trying to get as close as possible. My pots are made exclusively by hand, without molds or plaster casts, as is commonly done in Japan and China, to ensure uniformity and higher production rates. However, what may be considered an imperfection by one observer, may equally be considered a character accent by another. I always tend to discard pots that do not meet the quality standards that I consider suitable for their use or exposition. Nonetheless any anomalies or peculiarities of each of them are clearly shown and highlighted in the descriptions and photos.
Would you be willing to make a commissioned pot?
I generally don't accept commissions, except in very rare cases where the idea/request inspires me to consider it. I don't make pots identical to others I've already made, and I will never make pots with designs or shapes by other potters.

Various

Could you lend me a pot for an exhibition / competition?
99% No. 1% Only if the collaboration might interest me.
Could I come visit your studio?
I'm sorry, but that's not possible. My studio is tiny (it can't even be called that, being an 8-square-meter attic) and I can barely fit in alone. However, if you happen to be passing through Rome and want one of my pots, or want to meet the ceramist behind the pot you already own, we could certainly meet for coffee and a chat.
Many of your pots are difficult to match with a plant. Do you also make traditional pots?
In my early years, I did create some pots with more traditional shapes to understand the construction techniques; however, I now believe that if one is looking for a traditional pot, one should turn directly to those who have been making them for generations. Since bonsai tradition and culture are often perceived as rigid and restrictive, especially by Westerners, who tend to follow them slavishly while suppressing (often unconsciously) their own personal taste and ideas, pairing a non traditional pot requires considerable effort and an open mind. The observer’s eye (my own included) is so accustomed to seeing the same types of pairings that even the slightest variation can be perceived as a distraction or an act of heresy. I believe that pairing a non traditional pot with a tree requires, beyond a solid understanding of the subject, an active personal taste that is not overly bound by dogma, a sense of curiosity and boldness, and, not least, a passion that transcends external judgment or criticism.

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